Debussy blanc et noir program notes3/12/2024 With additional contributions from Léon Vallas, Emile Vuillermoz, and Louis Laloy, the conflict that thus emerged had the result of permanently affecting our understanding of the concert's featured work, the Ode à la France. Prior to the concert, a committee of Debussy's friends published a letter of protest, dissociating itself from the premiere, and Emma Debussy immediately responded with a protest of her own, defending her involvement in the concert. Initially thought to be lost, the manuscript was later rediscovered by the composer's widow, Emma, who joined Laloy in contracting the pianist-composer Marius-François Gaillard to complete the work. Unfinished in 1918, this patriotic cantata for soprano, chorus, and orchestra was intended to dramatize the execution of Joan of Arc using a libretto written by Debussy's friend, the music scholar Louis Laloy. In 1928 Debussy's Ode à la France was premiered at a gala commemorating the tenth anniversary of the composer's death.
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